Producción científica asociada a este proyecto:

Tesis Doctoral

Pereira, C. (2022) “Truth and vanity: the retouching techniques on dry plate negatives of Portuguese collections of the first half of the twentieth century”, Escola das Artes, Universidade Católica Portuguesa, Porto, http://hdl.handle.net/10400.14/39634

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Exposición

30 Set – 2 Dez 2018 Memória Recapturada – O estúdio Foto-Carvalho (1936-2000)

Org. Catarina Pereira, Estúdios Correia com a colaboração da Câmara Municipal de Estremoz e o Palácio dos Marqueses de Praia e Monforte, Estremoz.

http://artes.porto.ucp.pt/pt/central-noticias/exposicao-fotografia-memoria-recapturada ; http://www.cm-estremoz.pt/noticias/exposicao-de-fotografia-memoria-recapturada-em-estremoz

 

Conferencia

14 Set 2018 - Limpeza de fundos e colecções de negativos fotográficos. Limpar para quê?

Co-organizado pelo CITAR, Escola das Artes da Universidade Católica Portuguesa e o CPF - Centro Português de Fotografia, Porto http://artes.porto.ucp.pt/node/17871

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Textos en revistas con peer-review

Pereira, C. & Castro L. (2019) “Memória Recapturada: Imagens de uma comunidade”. ArtisON, 9, 125-139, 

http://artison.letras.ulisboa.pt/index.php/ao/article/view/245

 

Pereira, C & Castro L. (2016-2017) “Retouching glass plates negatives - What do old manuals say” ECR, 8, 59-70,

https://doi.org/10.7559/ecr.8.14226; http://hdl.handle.net/10400.14/26271

 

Pereira, C., et al (2017) “Retouching Scientific Photography – The Glass Plate Negatives Collection at the Natural History and Science Museum – University of Porto” , Ge-conservación, 1, n. 12, 101-110, ISSN 1989-8568

https://ge-iic.com/ojs/index.php/revista/article/view/540; http://hdl.handle.net/10400.14/24082

 

Textos completos en libros resumen

Pereira, C., et al (2022) “Retocar la tercera dimensión. El archivo de negativos estereoscópicos de Aurélio da Paz dos Reis” in HERNÁNDEZ LATAS, José Antonio (Dir. & ed). III Jornadas Sobre Investigación en Historia de la Fotografía. La fotografía estereoscópica o en 3D, siglos XIX y XX, Institución Fernando el Católico (CSIC), Zaragoza, https://ifc.dpz.es/recursos/publicaciones/39/36/20cortes.pdf

 

Pereira, C., et al (2019) “Digitizing collections - A reflection on negative archive collections, prioritizing procedures and what is lost,” in Topics in Photographic Preservation, 2019 ICOM-CC PMWG & PMG joint meeting in New York, Vol 18, https://resources.culturalheritage.org/pmg-topics/2019-volume-eighteen/

 

Pereira, C. (2016) “Materials and techniques for retouching glass plate photographic negatives at the beginning of the 20th century”, International Meeting on Retouching of Cultural Heritage - RECH3: Postprints, 65-72, 

http://hdl.handle.net/10400.14/23495

 

Ponencias

• 4 Nov 2021 “When retouching was an artist’s profession in photography.”  6th International Meeting on Retouching of Cultural Heritage, organized by RECH Group and Valencia Polytechnic University, http://rechgroup.pt/rech6.html (online) 

• 18 Jun 2021 “Retouching the third dimension – The Aurélio da Paz dos Reis stereoscopic negatives archive.” (2nd edition), 4th International Conference – Stereoscopic and Immersive Media – Photography, Sound and Cinema Research, Organized by Early Visual Media Lab, CICANT, Universidade Lusófona, Lisboa, Portugal, https://stereoimmersivemedia.ulusofona.pt/ (online)

• 16-Jun 2021 “Photography beyond two dimensions – Exhibition and re-valuation of materiality.”, 2021 AIC/SPNHC Joint Virtual Annual Meeting, USA, https://www.culturalheritage.org/events/annual-meeting/current-meeting (online)

• Nov 2019 “Retouching the third dimension – The Aurélio da Paz dos Reis stereoscopic negatives archive.” (1ª edition), III Conference on Research in History of Photography: Stereoscopic or 3D photography, 19th and 20th centuries, organized by Institución Fernando el Católico, Zaragoza, Espanha, 

• Fev 2019 “Digitizing collections - A reflection on negative archive collections, prioritizing procedures and what is lost.”, 2019 ICOM-CC PMWG & PMG joint meeting in New York, USA,

• 19-20 Out 2018 “Reflections on the digitization of photographic negative collections and the loss of «aura»”, 2º Meeting on Documentation and Digital Representation of Cultural Objects (DRD-BC), Universidade Católica Portuguesa, Porto.

• 27-29 Set 2018 “Identification of retouching varnishes in glass and gelatin negatives from the Alvão studio portrait collection – Development of analytical methodology”, II Colloquiumon  Investigations in Heritage Conservation, Fac.de Belas Artes da Universidade de Lisboa, Portugal, 

• 14 Set 2018 “Retouching Gelatin and Silver Negatives on Glass, from Portuguese Photographic Collections”,  Meeting Cleaning of backgrounds and photographic negative collections. Clean. For what? Co-organized by CITAR, Escola das Artes da Universidade Católica Portuguesa and CPF - Centro Português de Fotografia, Porto.

• 17-19 Mai2018 “Memory recaptured in a small community: Preserving retouched photographic negatives, discussing visual culture” International Multidisciplinary Congress - Web of Knowledge: A look into the Past, embracing the Future, Universidade de Évora, Évora, Portugal

• 2-3 Mai2016 “Retouching glass negatives – What the manuals say”, Doctoral Days, Escola das Artes, Universidade Católica Portuguesa, Porto.         

 

Posters

• Pereira C., et al “O Retoque de Negativos Fotográficos de Gelatina e Prata Sobre Vidro em Colecções Portuguesas” Encontro Ciência ’17, Lisboa, 3-5 Jul 2017

• Pereira C., et al “O retoque na fotografia científica – a colecção de negativos de vidro do Museu de História Natural e da Ciência da Universidade do Porto (MHNC-UP)” I Colloquio Investigações em Conservação do Património, Lisboa, 29-30 Set 2016 http://hdl.handle.net/10400.14/23213